Showing posts with label film making. Show all posts
Showing posts with label film making. Show all posts

YouTube: An Insider's Guide to Climbing the Charts Review

YouTube: An Insider's Guide to Climbing the Charts
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This is a thorough introduction to creating videos for YouTube, aimed at the absolute beginner. It is especially strong on explaining how to tell a story and on how to behave yourself as part of the YouTube community. The emphasis is on making art, not on making money.
It is not a techie book. There's a long chapter called "99-Cent Film School" that covers the mechanics of creating a video, but it's very basic and deals mostly with the selection of equipment, with some discussion of editing. The book is unusual in that it is not Macintosh-centric: the authors use Windows and claim there's no need to consider Macintosh because Windows is cheaper and has more software.
The authors summarize their position on p. 248 as "Don't watch the media, be the media." This is a good sound bite and gives the flavor of the book, although it is not really accurate since they encourage watching and commenting on the videos of other YouTubers. (Besides, if no one watched the media, would there be any media left?) The authors detest traditional media, especially television, and they detest much of the new media too. This doesn't have much impact on the book, except to cause occasional outbursts of gratuitous nastiness. For example, on p. 244 we read, "Social networking provides websites to people who shouldn't be allowed anywhere near a computer." Although there's some truth in this, it is unnecessary to state it here. The isolation from other media also gives the impression that YouTube is its own universe, with no connection to anything else.
The nastiness comes out in concentrated form in the Preface, which attempts to explain "Why You Should Buy This Book" by trashing the competition. Be sure to skip this section of the book! It's not representative of the rest and reading it will turn you off from an otherwise-good book.
There are a number of rough spots that could have been improved by better copy-editing. The book is somewhat rambling. Although it does explain all the YouTube and computer jargon, it may use a term many times before defining it. For example, the term "partner" is used throughout the book but is not explained until Chapter 11. The index is often no help; "partner" is not in the index as such (you have to look under YouTube Partners), and acronyms such as RSS and NLE are not indexed at all.
YouTube URLs are cryptic pseudo-random character strings, and a Very Good Feature of the book is that the authors have placed every URL as a hyperlink on one page on their web site, so you just have to click it. This is not quite as good as feature as it could be, because the cryptic URLs on that page are not annotated other than with a cross-reference number such as "URL 9.3"; if each had a short description or title the page would be easier to navigate and would also be great for browsing.

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Want to make a splash on YouTube? Even go viral? You've come to the right place. This book is written by two veteran 'Tubers who live their art and know what they're talking about -- especially Alan Lastufka, a.k.a. "fallofautumndistro," who has over 50,000 YouTube subscribers and over 6 million views. Alan and co-author Michael W. Dean show you how to make a quality video, and how to optimize, encode, upload, and promote it. This book can't promise you'll be rich and famous, but it can tell you how to make great video art, and what you need to do to get your work seen. You'll learn about:
Storytelling and directing
Shooting, editing, and rendering
Creating your very own channel
Broadcasting user-generated content
Re-broadcasting commercial content
Cultivating a devoted audience
Fitting into the YouTube community
Becoming a success story
Join Alan, who makes part of his living from YouTube, and Michael, a successful filmmaker, author, and D.I.Y. art pioneer. They'll take you from the basics of gear to making it big on YouTube, with a focus on networking and interaction. You'll also sit in on informative interviews with YouTube stars LisaNova, Hank Green (vlogbrothers), WhatTheBuckShow, nalts, and liamkylesullivan. Alan and Michael understand viral marketing -- and they know what it takes to get your work on everyone's YouTube radar. And, once you read this book, so will you.

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Arts America Review

Arts America
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This book is "everything you ever wanted to know" about the ARTS in the best cities of America. What a GEM! Do you want to know about the performances, costs, handicapped accessibility, public transportation, ways to save on discounts, telephone numbers and e-mails...........just pick up a copy of this very affordable book and detailed resource. You will love it!
A friend told me about this book and after purchasing if for myself, I bought several other copies for gifts.
Marilyn from Cleveland

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The Best, and Affordable, Arts in America! Arts America is the only book that gives you the inside arts scoop on the 20 best cities for the fine and performance arts, as well as major arts festivals, in the United States. Arts America provides the practical details for hundreds of arts organizations across the country, including the websites, public transportation options, handicapped access, hours, and admission fees, as well as such cost-saving tips as free days, discounted performances, subscriptions and memberships, and half-price opportunities. For many listings, the knowledgeable editors of Arts America share their observations and discuss important background information, which all adds up to why you ll want to go. There s more: Successful strategies for saving money and enjoying the arts at the same time. How and why to prepare (or not prepare) for cultural events. Where to find current arts information in all the Arts America cities. City-specific arts discounts. Whether you re an experienced arts buff or need a little encouragement to enjoy the arts, whether you re on a tight budget or in the mood to splurge, and no matter where you live, Arts America has something for you.

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The Media Student's Book Review

The Media Student's Book
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Here's a great book for an Intro to Mass Communications or a Journalism 101 class. It's vivid, full of great illustrations and it provides resources for further exploration.
One issue: This book's focus is Britain. The BBC is their main example for network tv, all money is in pounds and most ads they analyze come from UK media. American teachers and reader should definitely check out a copy before buying, let alone assigning it.


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A comprehensive introduction for students of media studies, this third edition of The Media Student's Book has been thoroughly revised and updated in response to feedback from lecturers using the second edition, and now focuses on the higher education syllabus more than ever before. It covers all the key topics encountered at undergraduate level and provides a detailed and clear guide to concepts and debates. Key features include:* think points and discussion points to get students really engaging with the topics* lists of useful web sites, resource centres and suggestions for further reading to encourage additional study* follow-up activities and essay questions which can be used to set tutorial work*marginal terms, definitions and cross references to provide clear explanations of key concepts and complex theories* case studies throughout taken from advertising, films, radio, television, newspapers, magazines, photography and the Internet to ensure students are exposed to a rich range of media forms.Including a glossary of key terms for quick reference and revision, this third edition will be used by lecturers as a flexible teaching resource and by students to aid independent study.

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Entertainment Law in a Nutshell (Nutshell Series) Review

Entertainment Law in a Nutshell (Nutshell Series)
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Sorry, I can't agree with the previous rave review.
The book focuses mainly on the movie, TV and music industries. Sports, theater, and, for the most part publishing and electronic gaming are ignored (though of course some focus is to be expected in such a short book). The point of view tends to be that of an attorney representing talent, rather than representing a producer, a studio, an investor, etc.
Prof. Burr's choice of emphasis is odd in many places. For example, she spends 10 pages discussing the privileges and perils of celebrity. Aside from mentioning that Kobe Bryant, Robert Blake and others have been involved in criminal cases, there isn't any mention of legal issues; it's more like a rather tame piece of tabloid journalism. As a result, it seems as if chunks of her book are intended for a popular audience, rather than the typical Nutshell audience of law students or practicing attorneys.
The legal content is very haphazard. If you weren't aware of guild agreements or music performance rights societies, you can learn about them in this book. Prof. Burr introduces some collateral topics such as bankruptcy and trusts and estates law when discussing how entertainers squander their wealth (though to be accurate, she discusses celebrity bankruptcies, rather than bankruptcy law).
On the other hand, entertainment finance and the related securities and corporate law issues never are mentioned. Yet movie lawyers, at least in L.A., actually tend to be quite sophisticated about these topics. Completion bonds aren't discussed at all. TV syndication is mentioned only in passing.
The rights of publicity and privacy are discussed only in the context of celebrities - though they apply to ordinary folks too. If you're buying someone's "life rights", or want to shoot a documentary or publish an interview, you might not know from this text that you need to worry about these subjects.
(In addition, the description of the Eastwood v. Superior Court case (Calif. Court of Appeal 1983) concerning the "right of publicity" is slightly misleading. This right is characterized as a "property interest ... grounded in state staututes, common law, and the federal unfair competition act" (p. 288). In California, the common law right is a component of the right of privacy and is definitely NOT a property interest. Nor is the original California statutory right (Civil Code Sec. 3344) a property right, as the heirs of Bela Lugosi found in a famous case. After that decision, the California legislature passed Civil Code Sec. 3344.1, relating to knowing violations of the right of publicity of a deceased person; it is only this stautory right that is a property right.)
The chapter on entertainment contracts is especially scattered. The movie section has a good discussion of case law concerning "pay or play" provisions, but then jumps around. There's a long discussion of publishing contracts, though the publishing industry isn't mentioned anywhere else in the book. The concept of "turnaround" - one of the great IP inventions of entertainment lawyers - is mentioned only tangentially (as a writer's right of reacquisition) and in a different part of the book; you'll never find it in the scanty index. Generally, contracts are discussed in terms of case law, rather than in terms of the documentation customary in typical deals. This point of view may be helpful for litigators, but definitely isn't a deal lawyer perspective.
A last chapter on globalization mentions piracy in Thailand ca. 1992, but has nary a mention of China (book was written in 2004). Localization, local content requirements and international distribution issues aren't addressed at all.
The book is also marred by bad proofreading and bad editing, with chunks of text being repeated verbatim within a few pages of each other (e.g., compare p. 227 with p. 244, and p. 246 with p. 247). In lieu of this book, I'd recommend you consult a "legal issues for laypeople" type of book that focuses on the particular industry you're interested in, such as Mark Litwak's books or Erickson et al. for the movie business.

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A basic but comprehensive survey of entertainment law, this Nutshell gives a big picture overview of the intellectual property, contract, publicity, estate planning, and First Amendment issues that contribute to the field. Professor Burr also addresses specific legal issues that arise in the film, music, and television industries, including discussion of the rise of reality television. This Nutshell can be assigned as a secondary text to accompany any entertainment law casebook, as the primary text for a seminar, or as background information for someone requiring an overview.

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The Complete Idiot's Guide to Screenwriting, 3rd Edition Review

The Complete Idiot's Guide to Screenwriting, 3rd Edition
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"The Complete Idiot's Guide to Screenwriting" is a phenomenal overview of the increasingly popular field of screenwriting, and it is written with care, compassion, and expertise by Skip Press. Like his earlier book, "Writer's Guide to Hollywood Producers, Directors and Screenwriting Agents," this volume is chock-full of helpful advice, thoughtful analysis, and best of all, LOTS of website resources that would take hours to find on your own. Like the very best books, it will inspire you, as it has me, and I know that the screenplay I'm writing now will be better as a result of my having read this book.
If your budget is limited, buy this book, along with Robert McKee's "Story" and Christopher Vogler's "The Writer's Journey." You'll be well-equipped to begin your own journey with these fine volumes.
Five stars!

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Now updated and revised...includes a CD-ROM! Here is an updated and revised edition of the practical and popular guide to realizing the dream of succeeding as a screenwriter. Insider Skip Press gives novice screenwriters a cook's tour of the industry, then leads them through the process of picking a winning idea, structuring and writing a screenplay, and packaging the final script for sale. • Includes a CD-ROM packed with sample screenplays, Hollywood contact information, screenwriting software demos, and more • Chapters on writing for television, including a sample TV script segment • A new chapter on sources for screenplays and movies, including how Asian films are acquired and adapted

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